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Structured, full-bodied and fruity, this Peper-Heidsieck Rare Millesime Champagne has delicate, muted exotic fruits and mild spices on the nose. This is a wine with depth but also it has a harmonious lengthy finish.

Like the Latitude, this is 100% Côte des Blancs Chardonnay (the vineyards are in Cramant, Avize, Oger, and Vertus), yet the vineyards from which it was drawn have thinner topsoils and so the vine roots plunge straight into the chalky bedrock. The name here refers to the vertical nature of the geographic locations of the vineyards as well as the style of wine resulting from the very chalky soils of these sites i.e., a more linear, mineral wine. While Larmandiers Latitude is expansive across the palate, the Longitude is all about minerality, line and raciness. William Kelly has called this wine one of the finest non-vintage bottlings to be found in Champagne and, while the are no reviews available for the 2019 base, the high ratio of reserve wines (40%) and the strength of this low-yielding vintage should leave you will little doubt as the quality on offer.

Dom Ruinart Blanc de Blancs 2010 is the quintessential Blanc de Blancs. This exceptionnal vintage celebrates the savoir-faire of the people at the heart of each bottle. This cuvée is, above all, defined by an ageing process that brings more complexity and depth. For Dom Ruinart, the Maison only selects chardonnay from exceptional terroirs, mostly grand cru. 90% of our chardonnays are chosen from the Côte des Blancs (Le Mesnil-sur- Oger, Avize, Chouilly & Cramant), the heartland of this variety, with easterly exposure; and the other 10% are from the north-facing Montagne de Reims, particularly the grand cru sites of Sillery, the Maison’s historic vineyard. Also a first with this vintage, Ruinart has revolutionised its packaging with the new "Second Skin" case, which replaced the unitary boxes. This sustainable innovation required two years of research and development. Dom Ruinart’s chalk wrap offers a new interpretation of this innovation. Velvety soft to the touch like chalk, with its gentle reliefs and crevices crisscross, as if carved directly into chalky rock. A hand-applied gold marking enhances its exceptional character. The discreetly engraved 1729 on the fastening button indicates the heritage of Maison Ruinart, the world’s first champagne House.